![]() ![]() ![]() When audio levels go below this amount, the sound cuts off. ![]() In the Dynamics window, select Presets > Noise Gate. Select Amplitude and Compression > Dynamics. Go to the Effects Rack and click one of the small white right-pointing arrows. Buses are not required simply to save CPU cycles. ![]() NOTE: For simple mixes of, say ten tracks or less, today’s computers have ample power to apply effects to each track. Select the track you want to apply the noise gate to (if you don’t use busses, you’ll need to apply this to every track). Recordings made in offices, homes or studios will sound the best with a noise gate. NOTE: Noise gates should not be used in noisy environments or where you want the audience to hear the background noise, such as recordings made on location. This works really well when there isn’t a lot of background noise and when the speaker is recorded at a good level. While the “best” way to get rid of audio you don’t want is to delete that portion of a clip, many times you can accomplish the same thing using a noise gate. What this does is suppress audio output if the audio level in a track falls below a certain level. Locked clips are indicated by the small lock icon shown in the screen shot above. NOTE: I use this feature so much I created a keyboard shortcut for it: Control + L. This prevents clips from shifting horizontally, which would knock them out of sync. Select all the clips ( Cmd + A), then Control-click any selected clip and choose Lock in Time. If you are editing audio that will be matched to video, it is ESSENTIAL that clips not get out of sync during the audio mix. NOTE: 1 toggles between the Waveform Editor and the Multi-track Editor. This will also load the repaired clip back into your edit. Then, press 1 to return to the multitrack editor.
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